Encyclopedia of Creativity, Volume 1This encyclopaedia provides specific information and guidance for everyone who is searching for greater understanding and inspiration. Subjects include theories of creativity, techniques for enhancing creativity, individuals who have made contributions to creativity. |
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Table des matières
Postmodernism and Creativity | 469 |
Problem Finding | 523 |
Problem Solving | 533 |
53 | 541 |
54 | 547 |
Dinesen Isak | 553 |
Discovery | 559 |
Distribution of Creativity | 573 |
| 79 | |
Archival Investigation | 91 |
Art and Aesthetics | 99 |
Art and Artists | 115 |
Articulation | 121 |
Self Processes and Creativity | 123 |
Artificial Intelligence | 127 |
Associative Theory | 135 |
Attention | 141 |
Attribution and Creativity | 147 |
Shakespeare William | 148 |
23 | 157 |
Barriers to Creativity | 165 |
59 | 175 |
Bell Alexander Graham | 185 |
91 | 203 |
Interhemispheric | 208 |
99 | 213 |
Brainstorming | 219 |
Bronte Sisters | 229 |
Business Strategy | 235 |
Creatology | 245 |
Cezanne Paul | 251 |
Chaos Theory and Creativity | 259 |
Cognitive Style and Creativity | 273 |
K Raina | 283 |
Suicide | 287 |
Jock Abra and Gordon Abra | 295 |
Systems Approach | 297 |
A History | 309 |
Conditions and SettingsEnvironment | 323 |
Conformity | 341 |
Consensual Assessment | 347 |
Arthur J Cropley | 361 |
Contrarianism | 367 |
Conventionality | 373 |
Corporate Culture | 385 |
Counseling | 395 |
Howard E Gruber | 427 |
DiversityCultural583 | 583 |
Domains of Creativity | 591 |
Dreams and Creativity | 597 |
Drugs and Creativity | 607 |
Eccentricity | 613 |
Tagore Rabindranath | 617 |
Economic Perspective on Creativity | 623 |
Education | 629 |
Teams | 639 |
Einstein Albert | 643 |
Television and Creativity | 651 |
EmotionAffect | 659 |
Enhancement of Creativity | 669 |
Ensemble of Metaphor | 677 |
Everyday Creativity | 683 |
Evolving Systems Approach | 689 |
Expertise | 695 |
Families and Creativity | 709 |
FivePart Typology | 717 |
Fixation | 725 |
Four Ps of Creativity | 733 |
Fourth Grade Slump | 743 |
Contributors | 756 |
Generativity Theory | 759 |
Genetics | 767 |
Name Index | 771 |
Giftedness and Creativity | 773 |
Group Creativity | 779 |
Guilfords View | 785 |
Subject Index | 787 |
25 | 797 |
Heuristics | 807 |
Historiometry | 815 |
History and Creativity | 823 |
Homospatial Process | 831 |
Humane Creativity | 837 |
Humor | 845 |
Expressions et termes fréquents
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Fréquemment cités
Page 318 - Nor is it strange; for what, for the most part, mean we by genius but the power of accomplishing great things without the means generally reputed necessary to that end? A genius differs from a good understanding, as a magician from a good architect; that raises his structure by means invisible, this by the skilful use of common tools. Hence genius has ever been supposed to partake of something Divine.
Page 320 - The eyes are fixed on vacancy, the sounds of the world melt into confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time.
Page xiv - Relations and a Fellow of the American Academy of Arts and Sciences, the American Association for the Advancement of Science, and the Institute of Electrical and Electronic Engineers.
Page 335 - But the years of searching in the dark for a truth that one feels, but cannot express; the intense desire and the alterations of confidence and misgiving, until one breaks through to clarity and understanding, are only known to him who has himself experienced them.
Page 88 - It is also, at least in my use, a periodizing concept whose function is to correlate the emergence of new formal features in culture with the emergence of a new type of social life and a new economic order...
Page 317 - ... with previous ideas; in the second process, such of the associated ideas are fixed and vivified by the attention, as happen to be germane to the topic on which the mind is set. In this memoir I do not deal with the second process at all ... but I address myself wholly to the first . . . My object is to show how the whole of these associated ideas, though they are for the most part exceedingly fleeting and obscure, and barely cross the threshold of our consciousness may be seized, dragged into...
Page 202 - I was a Fellow at the Center for Advanced Study in the Behavioral Sciences. I am grateful for financial support provided by the Andrew W.
Page 566 - If I have seen further than other men, it is because I have stood on the shoulders of giants.
Page 576 - It is a profoundly erroneous truism, repeated by all copy-books and by eminent people when they are making speeches, that we should cultivate the habit of thinking of what we are doing. The precise opposite is the case. Civilization advances by extending the number of important operations which we can perform without thinking about them.
Références à ce livre
Informations bibliographiques
| Titre | Encyclopedia of Creativity, Volume 1 Encyclopedia of Creativity, Mark A. Runco, ISBN 0122270754, 9780122270758 |
| Rédacteurs | Mark A. Runco, Steven R. Pritzker, Steven Pritzker |
| Collaborateur | Runco, Mark Andrew Runco |
| Édition | illustrée |
| Éditeur | Elsevier, 1999 |
| ISBN | 0122270762, 9780122270765 |
| Longueur | 810 pages |
| Exporter la citation | BiBTeX EndNote RefMan |